"You're role, should you choose to accept it," is to arrive on earth, naked, unable to walk, talk, or remember where you came from.
You will arrive penniless, without choosing your race, gender, country or home, hopefully to good parents. And you will have forgotten where you came from.
You will be born into the Actors Guild, like all other humans. You will remain in the Actors Guild until you begin to seek the playwrite, the source of the stage, the lines, the character you are playing.
The paradox is that only the actor who knows he is a character, on stage, playing a role, will find any freedom at all. To wake up on stage, and choose the role, is the only choice you have
The difference between this mission impossible, and the Mission Impossible TV series, is that you don't get to choose the mission before taking it. You can only accept the mission, after you are in it.
Your only escape is to wake up to the mission, the role you are cast in. And you can only choose to accept your mission if you wake up to it.
There is no choice in resistence. Choice is only in seeing, realizing the role. All resisters remain in the Actors Guild. Resisters never get to walk off the stage and sit in the audience. True joy is being able to see the play, Lila, the greatest show on earth.
Remaining in a role, saying the same lines over and over again, leads only to staying on stage, asleep under the lights.
"All the world's a stage, and we are but actors upon it." Hope is discovering your mask, admitting the wearing of it, and taking a good look in the mirror. Laughter is a common response.
To be a real actor, one must know one is acting, and the role one is playing. Seeing the role one is destined to play, and choosing it, is the flight into freedom, off the stage and into the audience.
When the actor knows he's acting, and plays it to his utmost, then he is awake. Then Source smiles back at him through all the actors on the stage, and freedom reigns.
Showing posts with label Lila. Show all posts
Showing posts with label Lila. Show all posts
Tuesday, August 26, 2008
Monday, December 31, 2007
Lila, Play of the Gods
Me is the name I place on awareness here. I am in a room, I see paintings, a lamp, a desk, a chair. A body, which I call mine, sits in the chair. All that I can see of my body are parts -- objects in my field of vision. If I cut off my foot, I would still be here. If I cut of my leg I would still be here. If I cut off my hands, I would still be here. If I follow this to the logical conclusion, what I am really calling "me" is awareness. That's the only thing I could loose and and me would be gone.
I am looking out through the limitation of my form, assuming the awareness here is mine. The awareness looking out from other eyes, I think is separate. Is it?
Awareness is everywhere looking out through various limitations, bodies, forms. Awareness is like light passing through a prism, taking on the consciousness of particular forms, reflecting certain positions, experiences. Awareness, sensing the limitation of form, mistakenly thinks itself a separate body.
Awareness has hidden itself in form! So many forms, so many ways to look in the mirror. The mirror is Maya - the greatest game of hide-and-seek ever played. All the world's a stage, the play of God, Lila.
I am looking out through the limitation of my form, assuming the awareness here is mine. The awareness looking out from other eyes, I think is separate. Is it?
Awareness is everywhere looking out through various limitations, bodies, forms. Awareness is like light passing through a prism, taking on the consciousness of particular forms, reflecting certain positions, experiences. Awareness, sensing the limitation of form, mistakenly thinks itself a separate body.
Awareness has hidden itself in form! So many forms, so many ways to look in the mirror. The mirror is Maya - the greatest game of hide-and-seek ever played. All the world's a stage, the play of God, Lila.